Toutes peintures ā l'huile d'Govert flinck


ID Image Painting(From A to Z)    Details 
24674  
Govert flinck, A young Man with a eathered cap and a gorgert (mk33)
 
 A young Man with a eathered cap and a gorgert (mk33)   c.1636 Canvas 66x53cm
67371  
Govert flinck, Angels
 
 Angels   Angels announcing Christ's birth to the shepherds 1639 Oil on canvas, 160 cm x 196 cm Louvre, Paris
66452  
Govert flinck, Angels announcing Christ's birth to the shepherds
 
 Angels announcing Christ's birth to the shepherds   Angels announcing Christ's birth to the shepherds 1639 Oil on canvas, 160 cm x 196 cm Louvre, Paris
84583  
Govert flinck, Angels Announcing the Birth of Christ to the Shepherds
 
 Angels Announcing the Birth of Christ to the Shepherds   Date 1639(1639) Medium Oil on wood Dimensions Height: 160 cm (63 in). Width: 196 cm (77.2 in). cjr
24672  
Govert flinck, Bust of Rembrandt (mk33)
 
 Bust of Rembrandt (mk33)   c.1633 Oak panel 56x47cm Berlin,Gemaldegalerie Staatliche Museen Preussischer Kulturbestitz
71582  
Govert flinck, Curius Dentatus Preferring Turnips to Gold
 
 Curius Dentatus Preferring Turnips to Gold   1656 Oil on canvas 480 x 370 cm (188.98 x 145.67 in)
72775  
Govert flinck, Curius Dentatus Preferring Turnips to Gold
 
 Curius Dentatus Preferring Turnips to Gold   Date 1656 Medium Oil on canvas Dimensions 480 X 370 cm (188.98 X 145.67 in) cyf
84584  
Govert flinck, Landscape
 
 Landscape   Date 1637(1637) Medium Oil on wood Dimensions Height: 49 cm (19.3 in). Width: 75 cm (29.5 in). cjr
88447  
Govert flinck, Landscape
 
 Landscape   1637(1637) Medium Oil on wood cyf
34498  
Govert flinck, Margaretha Tulp
 
 Margaretha Tulp   mk93 1655 Oil on canvas 54 3/8x40 3/4in Staatliche Museen,Kassel
98264  
Govert flinck, Portrait of a man surrounded by books
 
 Portrait of a man surrounded by books   1654(1654) Medium oil on panel Transferred to canvas Dimensions 134 x 110 cm cyf
83598  
Govert flinck, Portrait of Margaretha Tulp
 
 Portrait of Margaretha Tulp   Date 1655(1655) Medium Oil on canvas Dimensions Height: 138 cm (54.3 in). Width: 104 cm (40.9 in). cjr
89767  
Govert flinck, Portrait of Rembrandt
 
 Portrait of Rembrandt   between 1633(1633) and 1634(1634) Medium oil on panel cyf
24673  
Govert flinck, Rembrandt as a shepherd (mk33)
 
 Rembrandt as a shepherd (mk33)   1636 Canvas 74.5x64cm
92482  
Govert flinck, Schutters van de compagnie van kapitein Joan Huydecoper en luitenant Frans Oetgens van Waveren bij het sluiten van de Vrede van Munster
 
 Schutters van de compagnie van kapitein Joan Huydecoper en luitenant Frans Oetgens van Waveren bij het sluiten van de Vrede van Munster   1648 Medium oil on canvas Dimensions 265 X 513 cm (104.3 X 202 in) cjr

Govert flinck
Dutch Baroque Era Painter, 1615-1660 was a Dutch painter of the Dutch Golden Age. Born at Cleves, he was apprenticed by his father to a silk mercer, but having secretly acquired a passion for drawing, was sent to Leeuwarden, where he boarded in the house of Lambert Jacobszon, a Mennonite, better known as an itinerant preacher than as a painter. Here Flinck was joined by Jacob Backer, and the companionship of a youth determined like himself to be an artist only confirmed his passion for painting. Amongst the neighbours of Jacobszon at Leeuwarden were the sons and relations of Rombertus van Uylenburgh, whose daughter Saske married Rembrandt in 1634. Other members of the same family lived at Amsterdam, cultivating the arts either professionally or as amateurs. The pupils of Lambert probably gained some knowledge of Rembrandt by intercourse with the Ulenburgs. Certainly Joachim von Sandrart, who visited Holland in 1637, found Flinck acknowledged as one of Rembrandt's best pupils, and living habitually in the house of the dealer Hendrik Uylenburg at Amsterdam. For many years Flinck laboured on the lines of Rembrandt, following that master's style in all the works which he executed between 1636 and 1648. With aspirations as a history painter, however, he looked to the swelling forms and grand action of Peter Paul Rubens, which led to many commissions for official and diplomatic painting. Flinck's relations with Cleves became in time very important. He was introduced to the court of the Great Elector, Friedrich Wilhelm I of Brandenburg, who married in 1646 Louisa of Orange. He obtained the patronage of John Maurice of Nassau, who was made stadtholder of Cleves in 1649. In 1652 a citizen of Amsterdam, Flinck married in 1656 an heiress, daughter of Ver Hoeven, a director of the Dutch East India Company.



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